<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="/css/rss.xsl"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Early Music Concerts: performances worldwide</title><link>https://earlymusicconcerts.com/</link><description>Global concert guide for Early Music: 23 upcoming concerts in churches, concert halls and festivals around the world.</description><language>en</language><lastBuildDate>Sun, 26 Jul 2026 17:02:45 GMT</lastBuildDate><atom:link href="https://earlymusicconcerts.com/rss/wallonie.xml" rel="self" type="application/rss+xml"/><item><title>Vox Luminis</title><link>https://lesfestivalsdewallonie.click/details/91F777DD-EDED-CDE8-AE9C-372E3E5DC806</link><guid isPermaLink="false">festivals-wallonie:vox-luminis-fs-26</guid><pubDate>Sat, 01 Aug 2026 16:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://lesfestivalsdewallonie.click/details/91F777DD-EDED-CDE8-AE9C-372E3E5DC806&quot;&gt;€25&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Église Saint-Sébastien)&lt;/p&gt;&lt;p&gt;Vox Luminis takes us on a real journey through time, offering the Stavelot audience a very fine selection of Jean-Sébastien Bach&amp;#39;s motets, music from which the Leipzig Cantor draws its sources from the chorale tradition as imagined by Martin Luther in the 16th century. To the simplicity of the origins of the genre, Bach brings all his knowledge in the expression of emotions, transforming these prayers into real baroque paintings endowed with the colors of the instruments and intense fervour.&lt;/p&gt;</description></item><item><title>WOLF</title><link>https://lesfestivalsdewallonie.click/details/8BC9D82A-0F6E-696C-9D5C-3F0673F167EF</link><guid isPermaLink="false">festivals-wallonie:wolf-fs-26</guid><pubDate>Mon, 03 Aug 2026 16:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://lesfestivalsdewallonie.click/details/8BC9D82A-0F6E-696C-9D5C-3F0673F167EF&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Église Saint-Sébastien)&lt;/p&gt;&lt;p&gt;Carl Maria von Weber&amp;#39;s Der Freischütz is the absolute model of German romantic opera and we know that Richard Wagner held it in very high esteem. Since its creation, arrangers have continued to offer transcriptions for all sorts of instruments. In cities where theaters with the capacity for such fantastic performances did not exist, this practice certainly contributed to the publicity and dissemination of its impressive openness, as well as the most popular arias and choruses. The version by Karl Flachs from Berlin for wind ensemble dates from 1822.&lt;/p&gt;</description></item><item><title>Lucile Richardot, Ensemble Correspondances, Sébastien Daucé, ed.</title><link>https://www.lesfestivalsdewallonie.click/details/93AD4169-66F8-AB18-75CD-302549008CDA</link><guid isPermaLink="false">festivals-wallonie:lucile-richardot-ensemble-correspondances-sebastien-dauce-dir-lnds-26</guid><pubDate>Fri, 04 Sep 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/93AD4169-66F8-AB18-75CD-302549008CDA&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Église Saint-Jacques)&lt;/p&gt;&lt;p&gt;Winner of the 2025 Victoires de la Musique Classique, Lucile Richardot, accompanied by Sébastien Daucé and the Correspondances ensemble, takes us to the heart of the Swedish court in the 17th century. In Stockholm, under the reign of Charles XI, the Kapellmeister Gustav Düben made the Swedish court a real European musical crossroads. German, Italian and Baltic composers meet there and shape an aesthetic of rare uniqueness, where all the richness and finesse of Nordic Baroque are revealed!&lt;/p&gt;</description></item><item><title>Rachel Podger</title><link>https://www.lesfestivalsdewallonie.click/details/70601D70-AD98-9B80-BA9A-24631C008C06</link><guid isPermaLink="false">festivals-wallonie:rachel-podger-lnds-26</guid><pubDate>Sat, 05 Sep 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/70601D70-AD98-9B80-BA9A-24631C008C06&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Salle académique de l’ULiège)&lt;/p&gt;&lt;p&gt;With Tutta Sola, Rachel Podger — the most eminent British representative of the Baroque violin — explores the art of solo violin around the year 1700. While Bach spontaneously dominates the imaginary of the solo repertoire, he is neither the first nor the only one to have shaped this daring territory of senza basso. Alongside his famous pages, Podger showcases the works of Vilsmayr, Matteis and even Westhoff: a baroque journey of intimate virtuosity, where preludes, dances and fugues reveal the flamboyant creativity of unparalleled violinist-composers!&lt;/p&gt;</description></item><item><title>Micrologus</title><link>https://www.lesfestivalsdewallonie.click/details/81137CED-8BFE-43D3-DA9C-25170C448F29</link><guid isPermaLink="false">festivals-wallonie:micrologus-lnds-26-copy</guid><pubDate>Fri, 11 Sep 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/81137CED-8BFE-43D3-DA9C-25170C448F29&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Salle académique de l’ULiège)&lt;/p&gt;&lt;p&gt;Avec Viaggio a Napoli, Micrologus nous plonge au cœur de la Naples aragonaise du XVe siècle, l’une des cours les plus fastueuses d’Europe. On y cultive les strambotti, balli, canciones et autres barzellette qui composent un paysage sonore foisonnant, nourri des influences italiennes, espagnoles et françaises. Patrizia Bovi et ses musiciens recréent l’atmosphère vibrante des fêtes publiques et des divertissements privés de l’aristocratie napolitaine. Un voyage immersif dans un âge d’or où la musique façonnait le prestige et la joie de toute une cité.&lt;/p&gt;</description></item><item><title>Lark&#39;s Echoes</title><link>https://www.lesfestivalsdewallonie.click/details/EA0889AC-85C5-E9B0-46CF-67BF472F4AF9</link><guid isPermaLink="false">festivals-wallonie:larks-echoes-lnds-26</guid><pubDate>Sat, 12 Sep 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/EA0889AC-85C5-E9B0-46CF-67BF472F4AF9&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Eglise Saint-Servais (Liège))&lt;/p&gt;&lt;p&gt;On the occasion of the 400th anniversary of the death of John Dowland in 2026, tenor Maxime Melnik and lutenist Adriaan Lauwers extend their musical complicity born at Les Nuits de Septembre 2022 by paying a sensitive and embodied tribute to the master of lute song. They bring together a selection of famous songs for voice and lute (and orpharion!), punctuated by the composer&amp;#39;s emblematic instrumental pieces.&lt;/p&gt;</description></item><item><title>Songs of Travel</title><link>https://www.lesfestivalsdewallonie.click/details/6FB063ED-2197-BDBF-6A0A-D93FC066A3BD</link><guid isPermaLink="false">festivals-wallonie:songs-of-travel-lnds-26</guid><pubDate>Sat, 19 Sep 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/6FB063ED-2197-BDBF-6A0A-D93FC066A3BD&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Salle académique de l’ULiège)&lt;/p&gt;&lt;p&gt;A musical journey through EnglandAt the turn of the 20th century, England saw the emergence of composers deeply linked to poetry and voice. From Vaughan Williams to Britten, from Finzi to Gurney, their songs explore travel in all its forms — wandering, contemplation, inner journey — and are part of the continuity of an ancient tradition, which draws on Shakespeare or Elizabethan poems. Each word becomes a stopover and each note, a step towards infinity, revealing an England that is at once sensitive, lyrical and, as a perfect heir to Dowland, deeply attached to its literary and musical heritage.&lt;/p&gt;</description></item><item><title>Consort La Capriola</title><link>https://www.lesfestivalsdewallonie.click/details/F5476BC1-C347-FA70-EF2D-740861163B3F</link><guid isPermaLink="false">festivals-wallonie:consort-la-capriola-lnds-26</guid><pubDate>Wed, 23 Sep 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/F5476BC1-C347-FA70-EF2D-740861163B3F&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Salle académique de l’ULiège)&lt;/p&gt;&lt;p&gt;From dusk to dawn, the young consort La Capriola follows the itinerary of a consort of Renaissance violins, then omnipresent in the daily lives of Italians. From lively alleys to taverns, from elegant lounges to the basilica, where the majestic works of Willaert and Merulo resound, each stage reveals the many faces of the vibrant musical life that surrounded the famous Venetian square.&lt;/p&gt;</description></item><item><title>The King Who Still Didn&#39;t Like Music</title><link>https://www.lesfestivalsdewallonie.click/details/2D76D531-92EC-0AF8-7AF5-4BD03AE6995A</link><guid isPermaLink="false">festivals-wallonie:le-roi-qui-naimait-toujours-pas-la-musique-fm3-bw-26</guid><pubDate>Sun, 27 Sep 2026 09:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/2D76D531-92EC-0AF8-7AF5-4BD03AE6995A&quot;&gt;€15&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Ferme du Biéreau)&lt;/p&gt;&lt;p&gt;An adventure as melodious as it is wonderful... This musical show tells the adventures of a king who did not like music and his very small group of musicians. Together, they take us on a sonic and poetic journey to share as a family. The grumpy and authoritarian king had banned music from his kingdom, but over the course of encounters and discoveries, this sovereign gradually lets himself be touched by sounds and rhythms from elsewhere... until leading his people to mysterious Jazzikistan, a country where music has the power to transform hearts and make them happy.A A tender, funny and exotic tale that invites young and old alike to (re) discover the wonders of music!&lt;/p&gt;</description></item><item><title>Ensemble Danguy</title><link>https://www.lesfestivalsdewallonie.click/details/BB422FEC-F7EB-A664-5479-6B9E3C5A01BD</link><guid isPermaLink="false">festivals-wallonie:ensemble-danguy-lnds-26</guid><pubDate>Sun, 27 Sep 2026 14:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/BB422FEC-F7EB-A664-5479-6B9E3C5A01BD&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Église Saint-Denis)&lt;/p&gt;&lt;p&gt;Les Quatre Saisons ont connu mille métamorphoses, mais rarement aussi savoureuses que celles imaginées au XVIIIᵉ siècle par Nicolas Chédeville. Au cœur de l’âge d’or de la vielle et de la musette, ce musicien français transpose en 1739 trois concertos de Vivaldi puis en compose trois autres à partir du même matériel qu&amp;#39;il publie sous le nom du compositeur italien, créant une Arcadie musicale où l’original et la copie s’entremêlent. Avec Tobie Miller à la vielle à roue, cette version historique fait revivre un XVIIIᵉ siècle pastoral et inventif où se côtoient travestissement musical et jeu d’identité.&lt;/p&gt;</description></item><item><title>Dialogos</title><link>https://www.lesfestivalsdewallonie.click/details/7C52EA3B-B48A-B66C-B899-88B10322B943</link><guid isPermaLink="false">festivals-wallonie:dialogos-lnds-26</guid><pubDate>Fri, 02 Oct 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/7C52EA3B-B48A-B66C-B899-88B10322B943&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Église Saint-Denis)&lt;/p&gt;&lt;p&gt;On February 19, 964, the Canons of Winchester Cathedral were expelled by Bishop Aethelwold and replaced by monks from Abingdon because they were “perverse, scandalous and lost in drunkenness” — at least according to Wulfstan, an acerbic witness and poet of his time. The monks take possession of the choir under the shouts, the songs and the tumult. A thousand years later, around the sumptuous polyphonies of the Troparia in Winchester, four musicians in turn stand on the steps of an imaginary choir to revive this clash between two worlds: insiders against outsiders and the past against the present.&lt;/p&gt;</description></item><item><title>Mozart / Beethoven</title><link>https://shop.utick.net/?pos=OPRL&amp;module=ACTIVITYSERIEDETAILS&amp;s=497DA34F-60C4-934D-75A3-A1874E867868</link><guid isPermaLink="false">oprl:mozart-beethoven:20261003-1600</guid><pubDate>Sat, 03 Oct 2026 14:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://shop.utick.net/?pos=OPRL&amp;amp;module=ACTIVITYSERIEDETAILS&amp;amp;s=497DA34F-60C4-934D-75A3-A1874E867868&quot;&gt;€12 – €48&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Orchestre Philharmonique Royal de Liège&lt;/p&gt;&lt;p&gt;For his debut with the OPRL, the renowned Dutch conductor Ton Koopman moves between the final brilliance of Viennese Classicism and the promises of a new world. With his “Jupiter” Symphony (1788), Wolfgang Amadeus Mozart brings architectural clarity, intricate melodic interplay, and the Enlightenment ideal of harmony to its ultimate point of balance. Ludwig van Beethoven’s Symphony No. 2 (1803), while still rooted in this tradition, shifts its foundations: rhythmic complexity, heightened dynamic contrasts, and the primacy of expressive drive foreshadow a modernity based on energy, tension, and the assertion of subjectivity. Romanticism is on the way…&lt;/p&gt;</description></item><item><title>Our Indoor Mornings | Sat, Oct 3, 26 - 8 pm | EKINOX</title><link>https://lesfestivalsdewallonie.click/details/5C5015B1-39D0-F0AD-D987-D2A6DED90F80</link><guid isPermaLink="false">festivals-wallonie:nos-matins-interieurs-ekinox-26</guid><pubDate>Sat, 03 Oct 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://lesfestivalsdewallonie.click/details/5C5015B1-39D0-F0AD-D987-D2A6DED90F80&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Théâtre le Manège)&lt;/p&gt;&lt;p&gt;A stroll through the heart of the practice of juggling Bringing together ten jugglers accompanied by the Debussy Quartet, Our Inner Mornings is a large-scale ode to the practice of juggling. On stage, the music of Purcell and Marc Mellits blends with impressive collective choreography as well as sensitive portraits of the performers, in a show of breathtaking mastery that will delight young and old alike. For three decades, the Debussy Quartet has been constantly reinventing the art of string quartet and chamber music, shaking up the codes without ever betraying the essence of its game. He has established himself as a singular and essential figure in the international musical landscape.&lt;/p&gt;</description></item><item><title>Peaceful forest</title><link>https://www.lesfestivalsdewallonie.click/details/531B4E37-3482-C7D1-158C-3AD5355968AD</link><guid isPermaLink="false">festivals-wallonie:foret-paisible-fm3-bw-26</guid><pubDate>Sun, 04 Oct 2026 07:30:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/531B4E37-3482-C7D1-158C-3AD5355968AD&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Colomban)&lt;/p&gt;&lt;p&gt;Quelques sifflements d’oiseaux et la lueur des premières étoiles nous plongent dans une nuit captivante, où surgissent des voix portant les vibrations puissantes du répertoire baroque. Deux petits êtres joueurs, mi-humains, mi-mammifères, nous guident dans ce voyage nocturne, bientôt rejoints par des créatures aériennes aux voix limpides. Forêt Paisible invite les tout-petits à célébrer la beauté de la nature et du vivant, enveloppés par quatre voix accompagnées de métallophones, dans un espace pensé comme un lieu de jeu, de découvertes visuelles, sonores et tactiles. - Distribution complète: ‍ Amélie Renglet, Julie Vercauteren, Tom Van Bogaert, Maxime Jermann, solistes du Chœur de Chambre de Namur / Marie Havaux, co-direction artistique, arrangements, métallophone soprano &amp;amp; basse / Erika Meda, co-direction artistique, scénographie, mise en scène / Pascal Georis, création lumière ‍&lt;/p&gt;</description></item><item><title>Forêt Paisible (2,5ans-5ans)</title><link>https://www.lesfestivalsdewallonie.click/details/1B50006D-FDA5-BF90-9FEA-C51E61460856</link><guid isPermaLink="false">festivals-wallonie:foret-paisible-fm3-bw-26-copy</guid><pubDate>Sun, 04 Oct 2026 09:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.click/details/1B50006D-FDA5-BF90-9FEA-C51E61460856&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Colomban)&lt;/p&gt;&lt;p&gt;Quelques sifflements d’oiseaux et la lueur des premières étoiles nous plongent dans une nuit captivante, où surgissent des voix portant les vibrations puissantes du répertoire baroque. Deux petits êtres joueurs, mi-humains, mi-mammifères, nous guident dans ce voyage nocturne, bientôt rejoints par des créatures aériennes aux voix limpides. Forêt Paisible invite les tout-petits à célébrer la beauté de la nature et du vivant, enveloppés par quatre voix accompagnées de métallophones, dans un espace pensé comme un lieu de jeu, de découvertes visuelles, sonores et tactiles. - Distribution complète: ‍ Amélie Renglet, Julie Vercauteren, Tom Van Bogaert, Maxime Jermann, solistes du Chœur de Chambre de Namur / Marie Havaux, co-direction artistique, arrangements, métallophone soprano &amp;amp; basse / Erika Meda, co-direction artistique, scénographie, mise en scène / Pascal Georis, création lumière ‍&lt;/p&gt;</description></item><item><title>Peaceful forest</title><link>https://lesfestivalsdewallonie.click/details/A873A36A-3A80-DA3A-7C5C-41637FB1801D</link><guid isPermaLink="false">festivals-wallonie:foret-paisible-ekinox-26</guid><pubDate>Wed, 07 Oct 2026 12:30:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://lesfestivalsdewallonie.click/details/A873A36A-3A80-DA3A-7C5C-41637FB1801D&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Palais des Beaux-Arts de Charleroi — Hangar)&lt;/p&gt;&lt;p&gt;Quelques sifflements d’oiseaux et la lueur des premières étoiles nous plongent dans une nuit captivante, où surgissent des voix portant les vibrations puissantes du répertoire baroque. Deux petits êtres joueurs, mi-humains, mi-mammifères, nous guident dans ce voyage nocturne, bientôt rejoints par des créatures aériennes aux voix limpides. Forêt Paisible invite les tout-petits à célébrer la beauté de la nature et du vivant, enveloppés par quatre voix accompagnées de métallophones, dans un espace pensé comme un lieu de jeu, de découvertes visuelles, sonores et tactiles.&lt;/p&gt;</description></item><item><title>Forêt Paisible (2,5ans - 5ans)</title><link>https://lesfestivalsdewallonie.click/details/A873A36A-3A80-DA3A-7C5C-41637FB1801D</link><guid isPermaLink="false">festivals-wallonie:foret-paisible-ekinox26</guid><pubDate>Wed, 07 Oct 2026 14:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://lesfestivalsdewallonie.click/details/A873A36A-3A80-DA3A-7C5C-41637FB1801D&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Palais des Beaux-Arts de Charleroi — Hangar)&lt;/p&gt;&lt;p&gt;Quelques sifflements d’oiseaux et la lueur des premières étoiles nous plongent dans une nuit captivante, où surgissent des voix portant les vibrations puissantes du répertoire baroque. Deux petits êtres joueurs, mi-humains, mi-mammifères, nous guident dans ce voyage nocturne, bientôt rejoints par des créatures aériennes aux voix limpides. Forêt Paisible invite les tout-petits à célébrer la beauté de la nature et du vivant, enveloppés par quatre voix accompagnées de métallophones, dans un espace pensé comme un lieu de jeu, de découvertes visuelles, sonores et tactiles. ‍&lt;/p&gt;</description></item><item><title>Celine Scheen, Luciana Mancini &amp; L&#39;Arpeggiata</title><link>https://www.lesfestivalsdewallonie.be/fr-be/event/celine-scheen-luciana-mancini-larpeggiata-lnds-26</link><guid isPermaLink="false">festivals-wallonie:celine-scheen-luciana-mancini-larpeggiata-lnds-26</guid><pubDate>Sun, 11 Oct 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://www.lesfestivalsdewallonie.be/fr-be/event/celine-scheen-luciana-mancini-larpeggiata-lnds-26&quot;&gt;Tickets&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Les Festivals de Wallonie (Salle Philharmonique)&lt;/p&gt;&lt;p&gt;Traditional and Baroque music from Spain and South AmericaAt the foot of the Torre del Oro in Seville, from where galleons once sailed to the New World, blossoms the music of Alonso Mudarra, the Sevillian grandmaster of vihuela — this string instrument of Aragonese origin, this string instrument of Aragonese origin, cousin of the lute — and a pioneer figure in the first accompanied solo arias. Based on her folías, tientos, canzones and villancicos, where popular traditions and scholarly writing respond with finesse, Christina Pluhar and her ensemble L&amp;#39;Arpeggiata undertake a musical crossing of the Atlantic. The ensemble creates a dialogue between the elegance of the Spanish Renaissance and the Baroque legacies of South America. From the rhythms of Spain to the pulsations of the Andes, a shared history is thus woven: that of music in motion, which travels, metamorphoses and continues to resonate, from one shore of the ocean to the other.&lt;/p&gt;</description></item><item><title>La torre del oro</title><link>https://shop.utick.net/?pos=OPRL&amp;module=ACTIVITYSERIEDETAILS&amp;s=015DB2D3-6B18-C7B4-89EE-3A6B487DDC22</link><guid isPermaLink="false">oprl:la-torre-del-oro:20261011-2000</guid><pubDate>Sun, 11 Oct 2026 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://shop.utick.net/?pos=OPRL&amp;amp;module=ACTIVITYSERIEDETAILS&amp;amp;s=015DB2D3-6B18-C7B4-89EE-3A6B487DDC22&quot;&gt;€12 – €34&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Orchestre Philharmonique Royal de Liège&lt;/p&gt;&lt;p&gt;At the foot of the Torre del Oro in Seville—where ships once set sail for the New World—flourished the music of Alonso Mudarra, the great Sevillian master of the vihuela, a string instrument of Aragonese origin related to the lute, and a pioneering figure of early accompanied solo song. Drawing on his folías, tientos, canzones and villancicos, in which popular traditions and learned writing intertwine with subtlety, Christina Pluhar and her ensemble L’Arpeggiata undertake a musical crossing of the Atlantic. The ensemble brings together the elegance of the Spanish Renaissance with the Baroque heritage of South America. From the rhythms of Spain to the pulses of the Andes, a shared history unfolds: that of a music in motion, traveling, transforming, and continuing to resonate from one shore of the ocean to the other.&lt;/p&gt;</description></item><item><title>The Breath of Notre-Dame</title><link>https://shop.utick.net/?pos=OPRL&amp;module=ACTIVITYSERIEDETAILS&amp;s=F4163494-5E67-671A-96B9-1C6C16B49D2E</link><guid isPermaLink="false">oprl:le-souffle-de-notre-dame:20261115-1600</guid><pubDate>Sun, 15 Nov 2026 14:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://shop.utick.net/?pos=OPRL&amp;amp;module=ACTIVITYSERIEDETAILS&amp;amp;s=F4163494-5E67-671A-96B9-1C6C16B49D2E&quot;&gt;€22&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Orchestre Philharmonique Royal de Liège&lt;/p&gt;&lt;p&gt;“Whether improvising or performing from memory the most demanding pages of the repertoire, Dubois displays a rare musicality among organists.” — BBC Music Magazine Titulaire of the great organ of Notre-Dame de Paris since 2016 and recognized as one of the most brilliant organists on the international scene, Vincent Dubois opens his recital with one of Johann Sebastian Bach’s most popular works, followed by pieces by leading Parisian organ composers: from Franck’s Second Chorale to the vast fresco by Maurice Duruflé on the hymn Veni Creator, as well as Saint-Saëns’s highly orchestral Danse macabre. He concludes with his own transcription of the Rigaudon, Menuet, and Toccata from Ravel’s Le tombeau de Couperin. Magnificent!&lt;/p&gt;</description></item><item><title>A Cello in Italy</title><link>https://shop.utick.net/?pos=OPRL&amp;module=ACTIVITYSERIEDETAILS&amp;s=71037B83-A2D2-FB73-9C50-225A2830A40B</link><guid isPermaLink="false">oprl:un-violoncelle-en-italie:20270117-1600</guid><pubDate>Sun, 17 Jan 2027 14:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://shop.utick.net/?pos=OPRL&amp;amp;module=ACTIVITYSERIEDETAILS&amp;amp;s=71037B83-A2D2-FB73-9C50-225A2830A40B&quot;&gt;€19 – €24&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Orchestre Philharmonique Royal de Liège&lt;/p&gt;&lt;p&gt;From Antonio Vivaldi to Giovanni Sollima, three centuries of Italian music echo one another, with the radiant and virtuosic cello of Anastasia Kobekina as a narrator through time. Vivaldi blends brilliance with a festive spirit, much like Sollima’s Concerto perduto (“lost concerto”), in which, in 2021, he imagined a new work based on fragments of a cello concerto by the “Red Priest,” carefully preserved in Venice. Carl Philipp Emanuel Bach and Charles Avison extend, in their own way, the virtuosity, clarity of form, and expressive freedom of the Italian Baroque, while opening the path toward the more sensitive language of the Galant style.&lt;/p&gt;</description></item><item><title>Journey to Lübeck</title><link>https://shop.utick.net/?pos=OPRL&amp;module=ACTIVITYSERIEDETAILS&amp;s=5A368BED-FEBE-BCA3-088A-E0BBF8BEE62E</link><guid isPermaLink="false">oprl:voyage-lubeck:20270227-2000</guid><pubDate>Sat, 27 Feb 2027 18:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://shop.utick.net/?pos=OPRL&amp;amp;module=ACTIVITYSERIEDETAILS&amp;amp;s=5A368BED-FEBE-BCA3-088A-E0BBF8BEE62E&quot;&gt;€19 – €24&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Orchestre Philharmonique Royal de Liège&lt;/p&gt;&lt;p&gt;In 1704, in the middle of winter, Johann Sebastian Bach undertakes a 400-kilometre walk to the Hanseatic city of Lübeck in order to meet the renowned organist and composer Dietrich Buxtehude. The journey begins in Arnstadt, the birthplace of Johann Michael Bach (1648–1694) and Johann Christoph Bach (1642–1703). By placing Christ lag in Todesbanden by Johann Sebastian Bach alongside works by composers of the previous generation, the programme seeks to contextualise his music and highlight its roots and development.&lt;/p&gt;</description></item><item><title>The Sacred Music of Mendelssohn</title><link>https://shop.utick.net/?pos=OPRL&amp;module=ACTIVITYSERIEDETAILS&amp;s=859C791C-57C4-4D49-5D84-2F3D0EB3D818</link><guid isPermaLink="false">oprl:la-musique-sacree-de-mendelssohn:20270530-1600</guid><pubDate>Sun, 30 May 2027 14:00:00 GMT</pubDate><description>&lt;p&gt;&lt;strong&gt;Tickets:&lt;/strong&gt; &lt;a href=&quot;https://shop.utick.net/?pos=OPRL&amp;amp;module=ACTIVITYSERIEDETAILS&amp;amp;s=859C791C-57C4-4D49-5D84-2F3D0EB3D818&quot;&gt;€22&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Orchestre Philharmonique Royal de Liège&lt;/p&gt;&lt;p&gt;A skilful organist and excellent improviser, in the lineage of Bach and Handel whom he so deeply admired, Mendelssohn devoted a significant part of his output to sacred music. The Namur Chamber Choir explores fourteen of his motets, with organ or a cappella, pages that alternate between delicacy and strength, carried by a sincere and profound faith. Organ professor at the Luxembourg Conservatory and titular organist of the monumental instrument of Saint Martin’s Church in Dudelange, Alessandro Urbano accompanies the choir and also performs two solo organ works.&lt;/p&gt;</description></item></channel></rss>